Allen & Heath SQ5 B-Stock

B-Stock avec garantie complète
Retour avec éventuellement de légères traces d'utilisation

Console numérique 48 canaux

Montage en rack 19" possible
Avec traitement FPGA 96 kHz
17 faders / 6 couches
12 mixes stéréo (idéal pour les configurations de monitoring In-Ear) + LR
3 matrices stéréo
8 effets stéréo internes avec retours stéréo
Le traitement DEEP permet aux plug-ins DEEP d'être intégrés directement dans les canaux et les bus de mixage
Ecran tactile 7"
Connexion SLink pour la mise en réseau audio à distance
Connexion entrée/sortie 64 canaux pour la mise en réseau audio
Interface audio USB 32x32
Lecteur SQ pour la copie directe sur USB
Sortie AES
Mesure de canal chromatique
Rétro-éclairage LED intégré par fader
Contrôles physiques dédiés
8 Sofkeys assignables
Ecrans LCD par canal
Compatible avec ME-1 et ME-500, cartes réseaux audio, Dante ou Waves
Dimensions: 440 x 514,9 x 198 mm
Poids: 10,5 kg
Kit de montage en rack adapté 430446 optionnel non fourni
Housse anti-poussière adaptée 433046 optionnelle non fournie
Flight case adapté 497695 optionnel non fourni

Garantie 30 jours satisfait ou remboursé

Garantie 3 ans Thomann

Référencé depuis Décembre 2017
Numéro d'article 433794
Conditionnement (UVC) 1 Pièce(s)
Interface utilisateur Physique/à distance
Nombre de faders 17
Entrées DSP Chan 48
Préamplificateurs micro 16
Sorties physiques 12
Connexion de boîtier de scène numérique ACE
Hotspot Non
Enregistreur multipiste Oui
Lecteur/enregistreur via USB/SD intégré Multipiste
Kit de montage en rack 19" Optionnel
Nombre de canaux d'entrée max. 16
Entrées micro 16
Entrées ligne analogiques 16
Sorties DSP Chan 12
Sorties ligne analogiques 12
Bus 12
Entrée numérique USB
Sorties numériques AES, USB
Entrées ligne mono 0
Sorties ligne mono 2
Entrées et sorties numériques extensibles Oui
Faders motorisés Oui
Interface ordinateur USB, Ethernet
Ethernet Ethernet
Extras N/A
Interface de la carte audio USB-B
Format de l'enregistreur WAV/MP3
Bandes de marquage Oui
RTA Oui
Processeur d'effets 8
EQ 31 bandes 13
Entrée delay Oui
Sortie delay Oui
Matrices 3
Groupes DCA/VCA 8
Connecteur MIDI Non
Taux d'échantillonnage 96 kHz
Application moniteurs Oui
Système de moniteur personnel séparé Optionnel
Fentes pour carte d'extension 1
ADAT numérique Non
SPDIF numérique Non
AES3/ASESEB numérique Oui
MADI numérique Non
Dante numérique Optionnel
Compatible 110V Oui
Housse de protection Optionnelle
Hauteur 198 mm
Largeur 440 mm
Profondeur 515 mm
Poids 10,5 kg

Aussi disponible en version neuve 3.649 €

3.399 €

Tous les prix TVA incl. (TTC)

Classement des ventes

Dans Consoles Numériques

Small but mighty

The Allen & Heath SQ-5 is the smallest of the company's SQ series of digital consoles, but its performance is no different to the SQ-6 or the flagship SQ-7. The SQ-5 mixing console manages 48 channels via 17 faders and boasts 16 preamps – as well as eight softkeys and eight stereo FX engines. State-of-the-art technology guarantees virtually latency-free and extremely fast operation, and the large number of flexible connection options and interfaces make the SQ-5 the perfect console for multi-track recording, backing tracks, or virtual sound check applications.

Mixing consoles for every occasion

The mixing consoles in the SQ series are built for professionals who work in demanding live sound, recording, and streaming settings. Convenient stereo or multitrack recording to USB storage media is possible even without additional software, sound cards, or laptops. There are also extensive connection options for integrating the SQ consoles into professional studio environments. Like all models in the SQ series, the Allen & Heath SQ-5 is also powered by the 96kHz XCVI FPGA engine, delivering premium high-definition audio with an ultra-low latency of <0.7ms.

Compact design with top features

Those looking for a compact digital live console with flexible multi-track recording need look no further than the Allen & Heath SQ-5. Whether live or in the studio, its 96kHz, 32x32 audio interface and integrated SQ drive for 96kHz multitrack recording directly to USB flash drives mean that it is ready to handle any mixing task.

About Allen & Heath

Allen & Heath started building mixing consoles in London in 1969 and made a name for themselves hand-building mixers for some of the greatest bands of the era, such as Pink Floyd. Since 2014, Allen & Heath has been part of the Audiotonix Group, which in turn is managed by the company Electra Partners. Allen & Heath's headquarters are in Penryn, Cornwall (UK), where production takes place, alongside a second factory in China. The British firm is known for numerous innovations, including the development of modular console designs as well as their subsequent integration into MIDI environments. Today, Allen & Heath offer a wide range of products in almost every field of audio engineering - from the small six-channel ZED-6 mixing console to the full-scale dLive Pro Touring System.

Flexibility in action

Right out of the box, the Allen & Heath SQ-5 console can be seamlessly integrated into a wide variety of environments, while its extensive expansion and connection options multiply the possible applications. The SQ's fully integrated advanced automatic mic mixers (AMMs) mean that audio does not need to be routed to an internal DSP rack or an external plugin system when mixing conferences, panel talks, or TV shows. The three consoles in the SQ series are also ideal for studio use, as they are capable of multitrack and stereo recording onto USB drives and have an extensive 32×32 USB audio interface.

In the spotlight: FPGA

FPGA stands for Field Programmable Gate Array. It's a digital integrated circuit based around a matrix of configurable logic blocks (CLBs) connected via programmable interconnects. FPGAs can be reprogrammed to fulfil specific applications or functionality requirements. A powerful FPGA can thus perform a variety of digital signal processing tasks. As a result, mixers that feature a FPGA are highly versatile – while remaining compact in size.

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