Danelectro 58 Longhorn Bass Red Hot

J'avais déjà eu l'occasion de jouer sur une Longhorn il y a une dizaine d'années. Quand j'ai vu ce nouveau modèle avec ce beau rouge et son ouïe, j'ai craqué.

Points positifs: à peu près tout. Sa taille (diapason court) et son poids (environ 2kg) sont un atout si vous souffrez du dos. On dirait qu'on tient une guitare.

GROS POINT NEGATIF: le chevalet. lntonation extrêmement ardue, voire impossible, d'autant plus qu'il y a 24 cases!

Je ferai peut-être quelques scènes avec car on se sent pousser des ailes, mais je resterai fidèles à Rickenbacker.
Cette Longhorn, de par son encombrement minime, sera parfaite pour mon boudoir à musique mansardé.

EDIT: 3 mois pus tard, je remonte ma note! J'ai râlé contre l'intonation désastreuse et difficilement réglable.
J'avais fait pivoter la pièce de bois sur son axe, mais on peut aussi éloigner cette pièce vers le chevalet, ce qui a réglé mon problème.
Bref, pas le plus évident des chevalets, mais je suis maintenant juste à partir de la 13e case, ce qui n'était pas le cas avant.

When Danelectro guitars made their comeback around the turn of the century, I tried a few in music shops, including the new Longhorn basses. I remember thinking: very light, super playable, and with a bell-like tone that stood out. But back then, I was still skeptical. The design looked toy-like, the vinyl tape around the edges seemed odd, and that floating bridge didn’t inspire confidence. I also firmly believed that “real” basses had to be long scale. So I passed.

Still, the feel of those Danelectros stuck with me.

Fast forward to now: when the Red Hot Longhorn Bass appeared, I decided to give it a proper chance—and I’m glad I did.

This version features an f-hole, making it a true semi-hollow (though, honestly, all Danelectros are in practice). The oxblood red finish looks fantastic, and the build has seen some subtle but smart upgrades. The edge of the back is nicely rounded and blends seamlessly into the sides—no vinyl tape this time. It’s surprisingly elegant, considering the combination of hardboard and simple wood. Time will tell how it holds up structurally, but visually and ergonomically, it’s a step forward.

Despite the featherweight body and 24-fret neck, there’s no neck dive at all. That’s impressive.

The neck itself is a highlight: slim, but not too slim, with a comfortable D-shape near the headstock that flattens nicely as you move toward the body. As someone who mostly plays fingerstyle, I find it very natural and easy to play.

Intonation was another pleasant surprise. I expected issues with the fixed saddle, but it’s spot-on. For the record, the bridge is adjustable—you can move it forward or backward, and tilt it using a screw underneath.

Tonally, the Red Hot Longhorn delivers that classic Danelectro sound through its lipstick pickups. They may not be for everyone, but I love their warm, slightly twangy tone. There’s a 3-way pickup selector, one volume, and one tone knob. At first, I thought I’d miss the traditional dual volume/tone setup from the standard Longhorns, but this simpler layout has proven surprisingly versatile for my needs.

Is it a bit pricey for an instrument made mostly of hardboard and simple woods? Maybe. But between the looks, comfort, tone, and charm, I’m very happy with it.

Final verdict: Retro look, great feel, classic tone. A quirky bass that delivers where it counts.

Have this bass for 2 months now and its been a blast to play on it.
Construction is fine (considering th price point). Neck was super straight, pickups sound great and, surprisingly, without a lot of hum when in single coil mode.
The bridge is the elephant in the room, as it is a pain in the butt to intonate the instrument, since you need to take the bridge out in order to do this.
The nice thing about it (in comparison to other longhorns) is that in this model they maintained the wood "saddle" which gives the sound a darker vibe.
Also, the semi hollow body is just gorgeous.
I would buy another one in an instant .
Go !

On taking this out of the box a limited warranty card was dangling from the E tuner/machine head. This clearly states "Every guitar set up in USA !"
The back of the neck has a stuck on label stating "Made in Korea" and the serial number.
This example really is the best and most perfect setting up I can ever remember on a new instrument straight out of the box.
The action is nice and low, but without any fret buzz.
The tuning was about one tone down, which is probably to allow for shipping containers and lorries with likely wide temperature changes.
On tuning up (Standard A440) The intonation was simply perfect. There are 24 frets which means 2 full octaves and pinging the harmonics and comparing with the fretted pitch revealed that no adjustments were necessary. So many other reviews complain about the bridge, but this one is just fine as it is. Perhaps problems may occur if the strings are changed. The supplied strings are quite light gauge and round wound, so there is no chance of it sounding like "Back in the day" '50's /60's.
This is a unique modern take on the longhorn and some of the features are to my mind "Improvements". Doing away with the stacked volume and tone controls (many reviewers state they look flimsy and tend to stick) and replacing them with metal diecast knobs and the best 3-way switch available is a real improvement.
The sound is of course twangy with the round wound strings, but it is very pleasant in its own way. I consider this a re-designed and original take on the longhorn. I dread the thought of trying to find replacement strings, as I've not been convinced by the other reviews and discourse about strings.
Perhaps Danelectro may start supplying strings ?
Cons:
There are 24 frets, with 48 fret ends and they ALL need filing smooth !
Fortunately I have a fret file and have already started getting to work.