In terms of design and layout, the mixer is more compact than the Xone 22. The three-band EQs are relatively close to the center, but the layout does not feel cramped when mixing. Hand positioning remains comfortable and not too close to the tonearm when playing vinyl. The layout is simple and functional. I would have preferred per-channel VU meters in addition to the master output meter. I like the all-black finish.
Build quality is in line with Allen & Heath mixers. It’s build like a tank. The unit feels solid, with no plastic parts aside from the fader caps. There is no noticeable play in the faders or knobs.
Feature-wise, it is a 2+1 channel mixer with a built-in sound card. The stereo AUX channel is particularly useful, as it includes a two-band EQ, cue capability, and an on/off switch. I route Deck C from Traktor through this channel to output the Pattern Player or samples, effectively using it as an additional deck. The filter behaves as expected. The built-in sound card is DVS compatible, which is a strong feature at this price point. I am less convinced by the master insert FX loop and would have preferred per-channel send/return, as I tend to use effects on individual channels rather than on the master bus. Split cue mode and the crossfader on/off switch are also useful.
Regarding sound quality, there is no filter pop, which was an issue on the Xone 22. The RIAA gain is high, and on well-mastered vinyl I often need to reduce the gain. Phono level is close to line level. The three-band EQ and VCF filter are consistent with other Xone mixers and sound very good and warm.
In conclusion, this is a two-channel analogue mixer with an integrated sound card. Most comparable analogue mixers are rotary designs, often more expensive and with fewer features. The closest alternative is the Ecler Warm 2, which is more expensive and does not include a sound card. As an upgrade from a Xone 22 or 23, there are no major changes, but the addition of the AUX channel and the improved RIAA stage justify the upgrade.