{"id":110719,"date":"2026-11-06T14:55:00","date_gmt":"2026-11-06T13:55:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=110719"},"modified":"2026-10-19T15:37:47","modified_gmt":"2026-10-19T13:37:47","slug":"mon-premier-banjo","status":"publish","type":"post","link":"https:\/\/www.thomann.fr\/blog\/gear\/mon-premier-banjo\/","title":{"rendered":"Mon premier Banjo"},"content":{"rendered":"\n

Depuis le succ\u00e8s de groupes comme Mumford & Sons, l’int\u00e9r\u00eat pour le banjo<\/a> est en plein essor. Est-il facile de se mettre au banjo ? Quel type de banjo choisir : un cinq cordes ? Un t\u00e9nor ? Une guitare banjo ? Ou un autre type ? <\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Comment \u00e7a marche?<\/h3>\n\n\n\n

Un banjo<\/a> est compos\u00e9 d’un corps qui peut \u00eatre fabriqu\u00e9 soit en bois ou en m\u00e9tal. On le reconna\u00eet facilement car il ressemble un peu \u00e0 un tambour recouvert d’une peau. Une extr\u00e9mit\u00e9 du corps maintient le manche et l’autre permet de fixer les cordes. Les vibrations sont transmises par le biais d’un chevalet en bois situ\u00e9 pr\u00e8s du bord inf\u00e9rieur du corps o\u00f9 se trouve la peau et est maintenu par la pression des cordes. De ce fait beaucoup d’\u00e9nergie est transf\u00e9r\u00e9e \u00e0 la peau tr\u00e8s rapidement, ce qui r\u00e9duit le sustain mais augmente \u00e9norm\u00e9ment le niveau sonore.<\/p>\n\n\n\n

Est ce qu’un banjo, \u00e7a fait beaucoup de bruit ?<\/h3>\n\n\n\n

Oui ! Un banjo produit g\u00e9n\u00e9ralement entre 85 et 95 dB de son. Pour certains fabricants le volume sonore \u00e9tait encore trop faible, ils ont donc int\u00e9gr\u00e9 deux composants pour augmenter le volume : le r\u00e9sonateur et l’anneau de tonalit\u00e9. Le r\u00e9sonateur est une sorte de bol fix\u00e9 \u00e0 l’arri\u00e8re du banjo qui r\u00e9fl\u00e9chit le son vers l’avant. L’anneau de tonalit\u00e9 fabriqu\u00e9 en m\u00e9tal massif est mont\u00e9 entre le corps en bois et la peau. Un banjo<\/a> \u00e9quip\u00e9 ainsi sonne beaucoup plus fort et plus pr\u00e9sent qu’un \u00ab\u00a0open back\u00a0\u00bb traditionnel – mais peut \u00e9galement peser jusqu’\u00e0 \u00a06-7 kg .<\/p>\n\n\n

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Recording King<\/p>\n

RK-R36-BR<\/h3>\n <\/span>\n\n
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\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

 <\/p>\n\n\n\n

5 cordes : le traditionel<\/h3>\n\n\n\n

Malgr\u00e9 les nombreuses variantes de banjos existantes, il y en a un que les musiciens pr\u00e9f\u00e8rent en g\u00e9n\u00e9ral. Pour de nombreux musiciens, le banjo \u00e0 cinq cordes<\/a> est le seul \u00ab\u00a0vrai banjo\u00a0\u00bb. A l’\u00e9poque et sur les premi\u00e8res versions des premiers banjos, il y a presque 200 ans, l’instrument avait des cordes faites de boyau et n’avait pas de frettes.<\/p>\n\n\n

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Harley Benton\n <\/p>\n

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\n \n 148 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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Gold Tone\n <\/p>\n

AC-1 5 String Openback Banjo\n <\/h3>\n <\/span>\n\n
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Epiphone\n <\/p>\n

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Anecdote : la cinqui\u00e8me corde d’un banjo est raccourcie – elle part seulement de la cinqui\u00e8me case – et est situ\u00e9e juste \u00e0 c\u00f4t\u00e9 de la corde la plus grave, mais est accord\u00e9e de mani\u00e8re la plus aigu\u00eb ! La plupart du temps elle vibre simplement \u00e0 vide. Si elle est jou\u00e9e, c’est souvent sur le manche avec le pouce.<\/p>\n\n\n\n

 <\/p>\n\n\n\n

Accordage<\/h3>\n\n\n\n

En termes d’accordage, l’accordage Bluegrass (Sol’, R\u00e9, Sol, Si, Mi’) peut \u00eatre consid\u00e9r\u00e9 comme un quasi-standard. Il est assez proche de l’accordage traditionnel d’une guitare (mi, la r\u00e9, sol, si, mi)<\/p>\n\n\n\n

Est ce qu’un banjo est un instrument cher ? <\/h2>\n\n\n\n

Oui, un banjo peut \u00eatre assez cher. Lors de la production, beaucoup de temps est n\u00e9cessaire pour la r\u00e9alisation d’incrustations en nacre souvent tr\u00e8s \u00e9labor\u00e9es. Mais il existe aussi des versions plus simples et moins co\u00fbteuses comme le Recording King Dirty 30s<\/strong> Open Back<\/strong><\/a>, ou l’Epiphone MB-100<\/strong><\/a>, qui ne sont pas d\u00e9cor\u00e9s de ce genre de fioritures.<\/p>\n\n\n

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Epiphone\n <\/p>\n

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Choisir son banjo : fort, ou tr\u00e8s fort ?<\/h3>\n\n\n\n

Les banjos qui sortent le moins de volume sont souvent de type \u00ab\u00a0Open Back\u00a0\u00bb, sans r\u00e9sonateur donc. Voici quelques mod\u00e8les \u00e0 privil\u00e9gier si tu as des voisins susceptibles : <\/p>\n\n\n

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Gold Tone\n <\/p>\n

AC-1 5 String Openback Banjo\n <\/h3>\n <\/span>\n\n
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\n \n 319 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
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Epiphone\n <\/p>\n

MB-100\n <\/h3>\n <\/span>\n\n
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Voici quelques banjos \u00e0 r\u00e9sonateurs, c’est \u00e0 dire avec l’arri\u00e8re du banjo ferm\u00e9 – ce qui permet au son d’\u00eatre projet\u00e9 vers l’avant en rendant le son encore plus fort qu’il ne l’est d\u00e9j\u00e0.<\/p>\n\n\n

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Harley Benton<\/p>\n

HBJ-25<\/h3>\n <\/span>\n\n
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4 cordes : le jazzeux<\/h3>\n\n\n\n

Le volume \u00e9lev\u00e9 du banjo est l’id\u00e9al pour survivre dans un environnement bruyant… sans \u00e9lectricit\u00e9. Il \u00e9tait souvent utilis\u00e9 comme un instrument rythmique \u00e0 l’\u00e9poque o\u00f9 les syst\u00e8mes d’amplification n’existaient pas encore. Le banjo t\u00e9nor \u00e0 quatre cordes a \u00e9t\u00e9 utilis\u00e9 particuli\u00e8rement pour cela. Il a un diapason plus court et est accord\u00e9 plus haut et en quinte. En fonction de l’instrument, il est possible d’utiliser l’accordage t\u00e9nor Do, Sol, R\u00e9’, La’ ou l’accordage grave \u00ab\u00a0irlandais\u00a0\u00bb Sol, R\u00e9, La, Mi’ une octave en dessous de la mandoline.<\/p>\n\n\n\n

Ce type de banjo \u00e9tait le mod\u00e8le le plus jou\u00e9 dans les ann\u00e9es 1920 ! De nos jours, on le retrouve principalement dans les groupes Dixi et les groupes irlandais dans la lign\u00e9e des \u00ab\u00a0Dubliners\u00a0\u00bb. Si tu veux jouer dans ces styles de musique, en particulier le folk irlandais qui revient au go\u00fbt du jour, un instrument comme le Deering Goodtime Openback Tenor<\/a> <\/strong>sera un excellent choix.<\/p>\n\n\n

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Une variante de plus en plus populaire du banjo \u00e0 quatre cordes est le banjo ukul\u00e9l\u00e9, tel que le Harley Benton BJU-10<\/strong><\/a>. Ici, un manche court est combin\u00e9 avec un corps, lui aussi en taille r\u00e9duite. Certains fabricants utilisent \u00e9galement un corps de taille normale, ce qui adoucit le son.<\/p>\n\n\n

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Harley Benton<\/p>\n

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6 cordes : le banjo sous-estim\u00e9<\/h3>\n\n\n\n

Que se passe-t-il lorsque l’on croise une guitare avec un tambour ? On obtient un banjo \u00e0 six cordes \u00e9galement appel\u00e9 guitare banjo car les cordes sont accord\u00e9es comme une guitare traditionnelle, donc Mi, La, R\u00e9, Sol, Si, Mi’. Ce type de banjo est souvent jou\u00e9 par des guitaristes qui ne veulent pas apprendre les diff\u00e9rents doigt\u00e9s d’un \u00ab\u00a0vrai\u00a0\u00bb banjo. A noter que le banjo \u00e0 six cordes \u00e9tait jou\u00e9 dans l’orchestre de Louis Armstrong.<\/p>\n\n\n\n

Le banjo \u00e0 six cordes offre aux guitaristes une alternative \u00e0 leur instrument principal et un son compl\u00e8tement diff\u00e9rent ouvrant souvent la porte \u00e0 de nouvelles id\u00e9es. Si tu cherches des sensations similaires \u00e0 la guitare, le banjo \u00e0 6 cordes Harley Benton HBJ-26<\/a><\/strong> devrait certainement t’int\u00e9resser. Pour un son de banjo plus traditionnel, tu devrais plut\u00f4t regarder les instruments avec un diapason plus long comme le Harley Benton BJ-65Pro<\/strong><\/a>.<\/p>\n\n\n

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Harley Benton\n <\/p>\n

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Harley Benton\n <\/p>\n

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Choisir son premier banjo – Qu’est ce qu’il faut regarder ?<\/h3>\n\n\n\n

Tout d’abord, la prise en main d’un banjo doit \u00eatre agr\u00e9able, avec un manche appropri\u00e9 \u00e0 la taille de tes mains. Tu ne dois pas sentir des bords tranchants sur les c\u00f4t\u00e9s du manche. Parfois les frettes peuvent d\u00e9passer de la touche lorsque le bois a l\u00e9g\u00e8rement r\u00e9tr\u00e9ci – ce qui n’est g\u00e9n\u00e9ralement pas une erreur dans le choix du bois, mais r\u00e9sulte de l’air sec. Il suffit de porter l’instrument chez un luthier pour remettre tout \u00e7a en \u00e9tat. <\/p>\n\n\n\n

Ensuite, l’instrument doit \u00eatre parfaitement ajust\u00e9. La courbure du manche, les encoches du sillet, la hauteur des cordes, la tension de la peau et la position du chevalet sont les mots-cl\u00e9s importants. Chez nous, ces points sont v\u00e9rifi\u00e9s dans notre atelier afin que tu re\u00e7oives un instrument r\u00e9gl\u00e9 et pr\u00eat \u00e0 \u00eatre jou\u00e9.<\/p>\n\n\n\n

Les accessoires pour Banjo<\/h3>\n\n\n\n

Si tu veux acheter un banjo, pense \u00e0 commander quelques accessoires en m\u00eame temps, sauf si tu as choisi un kit. L’instrument doit \u00eatre prot\u00e9g\u00e9, alors pense \u00e0 acheter un \u00e9tui rigide ou une housse rembourr\u00e9e<\/a>. Ensuite, pense \u00e0 l’accordeur. Un banjo peut \u00eatre assez lourd. Pense \u00e0 choisir la sangle adapt\u00e9e en cons\u00e9quence ! Une belle sangle<\/a> rembourr\u00e9e, large et douce n’est donc pas un luxe. Enfin, si tu veux jouer du Bluegrass, tu auras toujours besoin d’un ensemble de m\u00e9diators\/onglets<\/a>. Allez c’est parti, Yee-Haw!<\/p>\n\n\n

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Minotaur<\/p>\n

Banjo Strap American Eagle BR<\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
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\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Choisir ton premier banjo : apprendre comment \u00e7a marche, et nos meilleurs conseils !<\/p>\n","protected":false},"author":63,"featured_media":10024428,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[4244,4248,4253,4251],"class_list":["post-110719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-folkdays-fr","tag-banjo-fr","tag-bluegrass-fr","tag-country"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/posts\/110719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/comments?post=110719"}],"version-history":[{"count":31,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/posts\/110719\/revisions"}],"predecessor-version":[{"id":10024498,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/posts\/110719\/revisions\/10024498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/media\/10024428"}],"wp:attachment":[{"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/media?parent=110719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/categories?post=110719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/tags?post=110719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}