{"id":10021621,"date":"2026-10-02T09:55:00","date_gmt":"2026-10-02T07:55:00","guid":{"rendered":"https:\/\/www.thomann.fr\/blog\/?p=10021621"},"modified":"2026-09-08T13:10:44","modified_gmt":"2026-09-08T11:10:44","slug":"le-son-de-dream-theater","status":"publish","type":"post","link":"https:\/\/www.thomann.fr\/blog\/gear\/le-son-de-dream-theater\/","title":{"rendered":"Le Son de Dream Theater"},"content":{"rendered":"\n

Dream Theater est un groupe qui ne laisse pas de place pour la demi-mesure : soit tu adores, soit tu d\u00e9testes. On ne va pas les voir en concert juste pour passer une bonne soir\u00e9e, c\u2019est une exp\u00e9rience qui implique totalement l\u2019auditeur. Les ma\u00eetres du metal progressif ont sorti pas moins de seize albums studio en quarante ans de carri\u00e8re, et vendu plus de douze millions d\u2019albums dans le monde, mais ils ont surtout construit une fan base d\u2019une loyaut\u00e9 quasi-obsessionnelle. D\u2019ailleurs, la plupart des fans de Dream Theater sont eux-m\u00eames musiciens, ce qui explique la quantit\u00e9 impressionnante de matos signature dont John Petrucci, guitariste et membre fondateur du groupe, a fait l\u2019objet. Alors que le groupe vient de sortir son dixi\u00e8me album live, et le deuxi\u00e8me enregistr\u00e9 \u00e0 Paris, nous te proposons un tour d\u2019horizon des \u00e9l\u00e9ments qui ont fait le son Petrucci.<\/p>\n\n\n\n

<\/a>Sous les doigts<\/strong><\/h2>\n\n\n\n

John Petrucci est reconnu comme l\u2019un des plus grands shredders \u00e0 l\u2019heure actuelle, avec une ma\u00eetrise de l\u2019alternate picking qui n\u2019a rien \u00e0 envie aux pionniers du genre, Al Di Meola et Steve Morse (qui sont d\u2019ailleurs de grosses influences pour lui). C\u00f4t\u00e9 son, il a trouv\u00e9 sa recette d\u00e9finitive d\u00e8s le deuxi\u00e8me album (et le premier avec James LaBrie au chant), Images And Words en 1992. Il alterne entre son clair ultra cristallin avec chorus et delay, son rythmique metal tr\u00e8s agressif et sec pas loin du Metallica de Master Of Puppets<\/em>, et son lead chaud et fluide gorg\u00e9 de delay.<\/p>\n\n\n

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Pour ses guitares, on l\u2019a vu chez B.C. Rich puis chez Ibanez d\u00e8s la fin des ann\u00e9es 80, notamment avec la gamme EX de type strato\u00efde. Mais en 1995, le groupe a suffisamment de succ\u00e8s pour que son mod\u00e8le custom devienne un mod\u00e8le de s\u00e9rie, la fameuse JPM (John Petrucci Model). C\u2019est une guitare type RG avec Floyd Rose et deux humbuckers DiMarzio (une marque \u00e0 laquelle il reste fid\u00e8le \u00e0 ce jour), un Steve’s Special au chevalet et un Air Norton au manche, avec une finition Picasso bien barr\u00e9e. En parall\u00e8le, il d\u00e9couvre la sept cordes avec la Ibanez Universe de Steve Vai dont il fait une utilisation radicale sur Awake<\/em> en 1994, inventant le djent bien avant l\u2019heure.<\/p>\n\n\n\n

C\u2019est au NAMM 2001 que la nouvelle tombe : alors que le nouveau mill\u00e9naire commence et que le groupe a bien tourn\u00e9 pour promouvoir son chef d\u2019oeuvre Metropolis Pt. 2: Scenes from a Memory, Petrucci sort un mod\u00e8le chez MusicMan. Un quart de si\u00e8cle plus tard, il est encore avec la marque californienne, et le mod\u00e8le a connu pas moins de 16 versions \u201cstandard\u201d. Si l\u2019on compte aussi les versions sept cordes, les \u00e9ditions limit\u00e9es BFR et autres mod\u00e8les Sterling, on arrive \u00e0 une collection qui a de quoi remplir un magasin. Depuis le d\u00e9part, les MusicMan JP ont un radius tr\u00e8s plat de 17 pouces, une forme pens\u00e9e pour l\u2019ergonomie et la performance, un vibrato MusicMan sans blocage et un syst\u00e8me piezo en parall\u00e8le des micros magn\u00e9tiques. Depuis la version 13, les micros sont des DiMarzio Illuminator, et pour la version 16 Petrucci s\u2019est amus\u00e9 en mettant un Floyd Rose. Il existe aussi une version baritone en \u00e9dition limit\u00e9e.<\/p>\n\n\n

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En parall\u00e8le, depuis 2014, MusicMan produit aussi la Majesty, une version tr\u00e8s diff\u00e9rente du mod\u00e8le Petrucci, elle aussi disponible en 6 ou 7 cordes et diff\u00e9rentes \u00e9ditions BFR ou Sterling. La forme est encore plus ergonomique et \u00e9lanc\u00e9e, la touche est en \u00e9b\u00e8ne plut\u00f4t qu\u2019en \u00e9rable torr\u00e9fi\u00e9, les micros sont des DiMarzio Rainmaker et Dreamcatcher et surtout c\u2019est un mod\u00e8le \u00e0 manche traversant plut\u00f4t que viss\u00e9. Petrucci choisit r\u00e9guli\u00e8rement des bois exotiques pour des tables toujours plus spectaculaires sur ce mod\u00e8le en perp\u00e9tuelle \u00e9volution.<\/p>\n\n\n

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RG8520-GE RG j.custom\n <\/h3>\n <\/span>\n\n
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\n\n \n

DiMarzio\n <\/p>\n

DP193 BK F-Spaced\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (78)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 105 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"UV70P-BK\"\n\n <\/div>\n\n
\n\n
\n\n \n

Ibanez\n <\/p>\n

UV70P-BK\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (19)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0439 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Petrucci\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

Petrucci JP15 Purple Nebula\n <\/h3>\n <\/span>\n\n
\n Note : 7.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 3\u00a0949 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Petrucci\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

Petrucci JP15 7 Ultramarine QT\n <\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4\u00a0799 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"JP15\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

JP15 BFR Toxic Sludge\n <\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (3)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 5\u00a0069 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Sterling by Music Man\n <\/p>\n

John Petrucci JP70 SBK\n <\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 777 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Illuminator\n <\/div>\n\n
\n\n
\n\n \n

DiMarzio\n <\/p>\n

Illuminator DP257 F-Spaced BK\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (20)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 116 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"JP15\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

JP15 Baritone BFR Cherry CS\n <\/h3>\n <\/span>\n\n
\n Note : 4.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4\u00a0199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

John Petrucci Majesty 6 GG\n <\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4\u00a0649 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

John Petrucci BFR Majesty 7 RN\n <\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 6\u00a0149 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

John Petrucci BFR Majesty 7 M\n <\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 7\u00a0299 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Majesty\n <\/div>\n\n
\n\n
\n\n \n

Sterling by Music Man\n <\/p>\n

Majesty 100 Artic Dream\n <\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0219 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Music Man\n <\/p>\n

John Petrucci BFR Majesty 7 BI\n <\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 6\u00a0199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"DP\n <\/div>\n\n
\n\n
\n\n \n

DiMarzio\n <\/p>\n

DP 281BK+BK Rainmaker Neck\n <\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 135 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"DP\n <\/div>\n\n
\n\n
\n\n \n

DiMarzio\n <\/p>\n

DP 282FBK+BK Dreamcatcher\n <\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 132 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>De la lampe<\/strong><\/h2>\n\n\n\n

Contrairement \u00e0 la plupart des guitaristes actuels, surtout dans le domaine du metal, John Petrucci n\u2019a pas c\u00e9d\u00e9 aux sir\u00e8nes du Quad Cortex et autres simulations. Depuis le d\u00e9part, il y a des lampes dans son rack, et il a toujours trouv\u00e9 son bonheur chez Mesa Boogie. \u00c0 l\u2019\u00e9poque de Images And Words<\/em> en 1992, il utilise le Quad Preamp en studio et deux Triaxis en live, dans les deux cas avec l\u2019ampli de puissance Two Ninety. Avec Awake <\/em>en 1994, il d\u00e9couvre le Mark II C+ qui restera pour lui un son de r\u00e9f\u00e9rence, et il utilise aussi un Dual Rectifier. Sur Train Of Thought <\/em>en 2003, c\u2019est un Road King que l\u2019on entend, mais il revient au C+ pour son album solo Suspended Animation<\/em> en 2005. Puis il suit les \u00e9volutions de l\u2019ampli star de la marque : Mark IV en 2007 sur Systematic Chaos<\/em> et Mark V en 2013 sur l\u2019album \u00e9ponyme.<\/p>\n\n\n

\n \n \n
\n
\n \n
\n
\n \"Quad\n <\/div>\n <\/div>\n \n \n
\n \n

Neural DSP<\/p>\n

Quad Cortex<\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (576)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0666 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Mais en 2016, John Petrucci devient le seul guitariste \u00e0 avoir son mod\u00e8le signature chez Mesa Boogie. Le JP-2C est une t\u00eate 100 watts \u00e0 trois canaux et deux EQ cinq bandes graphiques qui regroupe tous les sons pr\u00e9f\u00e9r\u00e9s de John. En dix ans d\u2019utilisation, le JP-2C n\u2019a pas boug\u00e9 d\u2019un iota et il reste la base du son Dream Theater. En live, il sort sur un baffle Rectifier 4×12 droit dans une iso box pour ne pas trop envahir l\u2019espace sonore.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"IIC+\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

IIC+ HRG Head\n <\/h3>\n <\/span>\n\n
\n Note : 0 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n
\n \n 3\u00a0699 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"90s\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

90s Dual Rectifier Standard\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 3\u00a0099 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Mark\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

Mark Five:25\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (23)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 2\u00a0199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"JP-2C\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

JP-2C Head\n <\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (11)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 4\u00a0444 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"4x12\n <\/div>\n\n
\n\n
\n\n \n

Mesa Boogie\n <\/p>\n

4×12 Rectifier Stand. Straight\n <\/h3>\n <\/span>\n\n
\n Note : 10.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (6)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1\u00a0699 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n
\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>Des racks<\/strong><\/h2>\n\n\n\n

C\u00f4t\u00e9 effets, Petrucci est tr\u00e8s pr\u00e9cis et exigeant. Il utilise relativement peu d\u2019effets, mais tous les \u00e9l\u00e9ments sont des mod\u00e8les d\u2019excellence. D\u00e8s le d\u00e9but, c\u2019est avec le rack l\u00e9gendaire TC Electronic 2290 qu\u2019il obtient ses delays et modulations, et on retrouve cet \u00e9l\u00e9ment dans la plupart des versions de son rig, jusqu\u2019\u00e0 la version 2024 qui int\u00e8gre \u00e0 la fois le rack d\u2019\u00e9poque et la version p\u00e9dale plus r\u00e9cente.<\/p>\n\n\n\n

En 2002, son rig int\u00e8gre une wah en rack Dunlop CryBaby et un rack \u00e0 p\u00e9dales avec un delay Boss DD-3, un MXR Phase 90, une Fulltone Full Drive 2. C\u00f4t\u00e9 multieffets, il y a le rack Eventide DSP7000 et le TC Electronic M2000 en plus du 2290.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"2290\n <\/div>\n\n
\n\n
\n\n \n

tc electronic\n <\/p>\n

2290 P Dynamic Delay Pedal\n <\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (17)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 198 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"DCR\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

DCR 2SR Rack Crybaby\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (19)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 869 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"DD-3T\n <\/div>\n\n
\n\n
\n\n \n

Boss\n <\/p>\n

DD-3T Digital Delay\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (75)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 144 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Phase\n <\/div>\n\n
\n\n
\n\n \n

MXR\n <\/p>\n

Phase 90\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (432)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 95 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Full-Drive\n <\/div>\n\n
\n\n
\n\n \n

Fulltone\n <\/p>\n

Full-Drive 3\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (23)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"H9000\n <\/div>\n\n
\n\n
\n\n \n

Eventide\n <\/p>\n

H9000 Gen2\n <\/h3>\n <\/span>\n\n
\n Note : 2.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 7\u00a0999 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

En 2016, le syst\u00e8me de Petrucci est s\u00e9par\u00e9 en deux avec d\u2019un c\u00f4t\u00e9 le piezo qui part dans une p\u00e9dale TC Electronic BodyRez puis dans une DI Radial, et de l\u2019autre les micros magn\u00e9tiques. C\u2019est l\u2019ann\u00e9e o\u00f9 la CryBaby Petrucci est lanc\u00e9e, et ce mod\u00e8le reste l\u2019une des signature les plus int\u00e9ressantes de la tr\u00e8s riche gamme Dunlop puisqu\u2019elle int\u00e8gre des trimpots qui reprennent les r\u00e9glages de la version rack. \u00c0 cette \u00e9poque, il utilise aussi un TC HyperGravity Compressor, une Keeley Red Dirt Overdrive, un TC Helix Phaser, deux TC Dreamscape (sa modulation signature) et une Uni-Vibe MXR.<\/p>\n\n\n\n

Enfin, pour la derni\u00e8re version de son rig en 2024, le syst\u00e8me reste tr\u00e8s proche avec une s\u00e9paration st\u00e9r\u00e9o qui fait appel \u00e0 deux Chorus MXR aux r\u00e9glages l\u00e9g\u00e8rement diff\u00e9rents.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"BodyRez\"\n\n <\/div>\n\n
\n\n
\n\n \n

tc electronic\n <\/p>\n

BodyRez\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (264)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 62 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"PZ-DI\"\n\n <\/div>\n\n
\n\n
\n\n \n

Radial Engineering\n <\/p>\n

PZ-DI\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (29)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 298 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci Cry Baby Wah\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (41)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 269 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Hypergravity\n <\/div>\n\n
\n\n
\n\n \n

tc electronic\n <\/p>\n

Hypergravity Mini\n <\/h3>\n <\/span>\n\n
\n Note : 8.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (65)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 66 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"M68\n <\/div>\n\n
\n\n
\n\n \n

MXR\n <\/p>\n

M68 Uni-Vibe Chorus\/Vibrato\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (124)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 154 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"M134\n <\/div>\n\n
\n\n
\n\n \n

MXR\n <\/p>\n

M134 Stereo Chorus\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (69)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 214 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

<\/p>\n\n\n\n

\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

<\/a>Indispensables accessoires<\/strong><\/h2>\n\n\n\n

John est un guitariste qui ne laisse rien au hasard, et les petits d\u00e9tails de son matos ont eux aussi \u00e9t\u00e9 soigneusement \u00e9tudi\u00e9s. Il a donc tellement de m\u00e9diators signature chez Dunlop qu\u2019ils ont \u00e9t\u00e9 regroup\u00e9s dans un pack. On a les Ultex Jazz III, les Flow, les Trinity et les PrimeTone Jazz. C\u00f4t\u00e9 cordes, il est toujours sur les Ernie Ball Slinky 10-46, un grand classique qui a amplement fait ses preuves. Mais pour autant il ne faut pas r\u00eaver : m\u00eame en r\u00e9unissant tous ces \u00e9l\u00e9ments, il te faudra quand m\u00eame compter quelques milliers d\u2019heures de travail pour esp\u00e9rer arriver \u00e0 un r\u00e9sultat proche de celui du ma\u00eetre.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci Signature Pick\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (94)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 11,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Ultex\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

Ultex Jazz III John Petrucci\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (1564)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 11,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci Flow Picks\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (95)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 39 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci Trinity Pick\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (71)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 9,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"John\n <\/div>\n\n
\n\n
\n\n \n

Dunlop\n <\/p>\n

John Petrucci PrimetoneJazz RD\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (47)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 11,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"2221\"\n\n <\/div>\n\n
\n\n
\n\n \n

Ernie Ball\n <\/p>\n

2221\n <\/h3>\n <\/span>\n\n
\n Note : 9.00 sur\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (12080)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 5,90 \u20ac <\/span>\n <\/div>\n\n \n \n Voir le Produit\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n
\n
<\/div>
<\/div>

Vous \u00eates actuellement en train de consulter le contenu d’un espace r\u00e9serv\u00e9 de YouTube<\/strong>. Pour acc\u00e9der au contenu r\u00e9el, cliquez sur le bouton ci-dessous. Veuillez noter que ce faisant, des donn\u00e9es seront partag\u00e9es avec des providers tiers.<\/p> Plus d’informations<\/a> <\/div>

D\u00e9bloquer ce contenu<\/a> Accepter le service requis et d\u00e9bloquer son contenu<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"

Zoom sur le matos guitare et ampli de Dream Theater !<\/p>\n","protected":false},"author":76,"featured_media":10021758,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[926],"tags":[],"class_list":["post-10021621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/posts\/10021621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/comments?post=10021621"}],"version-history":[{"count":6,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/posts\/10021621\/revisions"}],"predecessor-version":[{"id":10021761,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/posts\/10021621\/revisions\/10021761"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/media\/10021758"}],"wp:attachment":[{"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/media?parent=10021621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/categories?post=10021621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.fr\/blog\/wp-json\/wp\/v2\/tags?post=10021621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}